My New Blog, Where To Find Me, And How To Contact Me

If you read this blog or if you liked this blog, when it was alive, then I think you’ll like my new blog.
Check out my new blog: Forwrrrd
Forwrrrd is an activism, DIY, equal rights, feminism, human rights, riot grrrl, and women’s rights blog. If anybody wants to contribute something to the blog, email me: grrrlsvomitcandy@hotmail.com with the subject “blog” or “contribute”. Contributions must be activism, diy, equal rights, feminism, human rights, riot grrrl, and/or women’s rights focused. Any and all contributions will be appreciated and credited. Thanks!

Here are some websites I can be found on:
Riot Grrrl Online Website (RGO) link #1 or RGO link #2 or RGO link #3
Riot Grrrl Online News/Updates Page
Riot Grrrl Online Forum
Riot Grrrl Online Social Network
Free @riotgrrrl.co.uk Email Address
Riot Grrrl Chat
Riot Grrrl Online Updates and Other Riot Grrrl/Feminism Stuff
Riot Grrrl Online LiveJournal Community
Riot Grrrl Online Last.fm Group
Riot Grrrl Online on Myspace
Riot Grrrl Online Group on Myspace
Riot Grrrl Online Mailing List
Riot Grrrl Online on MyBlogLog

Here are some social networks I can be found on:
Care2
Delicious
DeviantArt
Digg
Last.fm
LiveJournal
Myspace
TakingItGlobal
Technorati
Twitter
Wikipedia
Windows Live Spaces

You can also email me, but just remove the NOSPAM part of the email address.

Feel free to email me: links, riot grrrl chapters, information, articles, submissions, contributions, etc. for the Riot Grrrl Online website or for the Forwrrrd Blog. Thanks!

Grrrl, You’ll Be A Womyn Soon

June 1st, 2006
Grrrl by Jennifer Whiteford
Grrrl, you’ll be a womyn soon
Sylvie Hill
Whiteford’s channels her own rock star dreams through the novel’s riot grrrl

Play. Stop. Rewind. Jennifer Whiteford’s distinctive debut novel, Grrrl, is like a killer mixtape from the early 1990s that you want to play over and over again.
Grrrl chronicles teenaged Marlie’s rock star dreams and curious crushes that lead her into an underground world of punk rock, riot grrrls, and a dangerous relationship with an older indie rocker. It’s all channelled into Marlie’s ever-present diary entries that are put together seamlessly to create a jolting coming-of-age tale that is positively addictive. After you race through the 252 pages and swoon from the book’s closing lines, you’ll crave more Grrrl, it’s that grrreat.

The novel grew out of Whiteford’s own high school journal and was based on characters she’s fictionalized from the years spent writing to musicians. “When I got really obsessed with an album, I’d write them [the band] a letter,” Whiteford tells XPress. “What I really wanted was someone to pay attention to me as a teenager and respond.”

Whiteford’s rock star mentorship program worked wonderfully: It plugged her into the Toronto downtown music scene, whereas teenage life in the suburbs made her feel disconnected.

Many passages, including the book’s opening lines – “My stereo ate my favourite Pretenders tape today” – come from the formulaic teenager world of young adult fiction with its self-absorbed and inconsequential observations. But soon it becomes evident that we’ve landed in a literary universe far more sophisticated than a pissed-off

teenager pining for Chrissie Hynde.

Marlie’s complaint conceals the universal dissatisfaction with life at the end of summer before starting grade 10: “I can’t think of anything else I want to listen to,” Marlie writes. “I’m feeling really indecisive lately about everything, not just music. I don’t know how I want to dress, how to cut my hair, which music to listen to and who to hang out with.” Whiteford frames the problem and develops the resolution cleverly through superb character development and nail-biting episodes.

Marlie’s Uncle Ben, who works at the downtown Sam the Record Man and his girl-band role model girlfriend Sheena, help Marlie on her journey of self-discovery by taking her to Seattle. There, she discovers the riot grrrl movement that ignites her transformation.

Wikipedia defines “riot grrrl” as “a movement encompassing zines, festivals and hardcore punk rock music groups, known for its feminist stance.” The genre first appeared in the early 1990s as a response to punk machismo.

While at a riot grrrl event, Marlie thinks maybe she’s a lesbian, but also learns how to make maxi-pads at a MoonGrrrls workshop. She freaks out: “I’m totally connected to the moon! Everyone is!” This infectious glee at newfound knowledge endears us to the Marlie character in precious interior moments.

When Marlie returns home, she’s frustrated: “I want to be living in THE CITY not the suburbs!” she sneers. “I want to dye my hair crazy colours and play in a band and go to concerts and have other girls around me who want to do the same things!” So she starts an all-girl band with her friends.

Part of Whiteford’s own point here is that finding yourself “comes from finding your place in a scene, this idea that you’re becoming an expert in something.

“Marlie’s not listening to the Sex Pistols or The Clash,” Whiteford adds. “The thing that really takes her in is the band that she’s a part of. She doesn’t worry about punk cred. Marlie is driven by her riot grrrl politics.”

This speaks to Whiteford’s experience as a female writer living in Ottawa. “I know about riot grrrl. I know about this scene,” she says authoritatively. “I’m going to be unapologetic.” Fierce but fair words for a city where the music scene, often dubbed a boys’ club, would crumble just because of a loud-mouthed girl.

Moving to Ottawa six years ago got her interested in Ladyfest, and in 2000, Whiteford travelled to Olympia for the first Ladyfest. “I saw all the bands I ever wanted to see,” she says, “learned to skateboard and did lots of cool stuff and came back and said, ‘I’m going to write a book now.’”

Grrrl is a valuable contribution to Canadian literature because it tenderly expresses the struggle of girls who adore music and are desperately seeking a way in.

For guys who love books about music, there’s Nick Hornby. For the girls, it’s Jennifer Whiteford.

The Nineties: Riot Grrrl

This article was taken from Associated Content.

The Riot Grrrl community first surfaced in Washington D.C. in 1991. Its cause was to maintain a female positive environment in the punk scene when misogyny ran rampant. Kathleen Hanna, the poster child for riot grrrl and front woman of numerous bands, did not know what she was creating when she came up with the motto “Revolution Girl-Style Now!”

Firstly, Riot Grrrl is misspelled on purpose. It includes the passive-by-society “girl” and combines it with a growl of aggressiveness. It embraces the motivation and rulebook that the riot grrrl’s live by-we can be feminine but we can still fight and scream for our rights that society has never given us.

A lot of musicians, fans and reporters have said that while riot grrrl got its fame in the nineties it was around a lot longer than that. Janis Joplin, Yoko Ono, and Grace Slick are among hundreds of famous female rock stars in the sixties. The eighties also had a huge resurgence of female singers which probably made it a pathway for the nineties riot grrrl.

The third wave of feminism really took off in the nineties thanks to riot grrrl. Women started expressing by spoken word, playing in a band, and making zines (homemade magazines). Charters were set-up across the world and the internet helped make feminists organized and friendly (compared to present day feminism which has lost its organization despite the internet).

Once organization was done they started having Ladyfests, zine fairs, and carnivals against racism, sexism and fascist beauty standards. They also funded workshops for and about zine production, rape, racism, self-defense, and eating disorders (which dramatically increased in the nineties among young female adults). Riot grrrl’s were very community orientated and they had a positive message to send to the young women of society-even though some did not take it to well. Parents thought that the riot grrrls were far too radical to be telling their daughters to become equal but they never considered that maybe being radical is what it takes in a patriarchal society.

Stop By The Riot Grrrl Chat

If you want to chat about riot grrrl, feminism, riot boy, or just want to chat with other riot grrrls/boys, stop by the riot grrrl chat. The chat is located here.

From Riot Grrrl to Alt-Mom

This article was taken from LA Times.

From Riot Grrrl to alt-mom
By Erika Schickel
February 12, 2007 in print edition E-14

SHE was there for the postfeminist revolution, marching down Fifth Avenue topless with “slut” painted on her belly. She was hanging out in clubs, interviewing Kristin Hersh and Patti Smith, rocking with the Riot Grrrls, staring down yuppies in the East Village, publishing a ‘zine, getting hitched in a gorilla mask. Her alt credentials are flawless. “Mamarama: A Memoir of Sex, Kids, & Rock ‘n’ Roll” is Evelyn McDonnell’s account of a life lived on the cultural and then maternal cutting edge.

McDonnell started out a Midwestern pop-music addict (crushing on the cartoon version of Michael Jackson in the 1970s, while her older brother swooned over Speed Racer’s limpid eyes.) She knew who she was from the get-go – “Some people are born musicians. I was born a listener” – and began her rock ‘n’ roll apprenticeship at an early age, following bands and deejaying in clubs.

“Punk rock saved my bored, zit-faced teenage life

McDonnell spent her 20s and 30s in the mosh pit of alt-pop culture, meeting her icons and helping to forge a new kind of feminism for her generation.

“It was the early ’90s, when direct activism, identity politics, hip-hop, and grunge were driving forces of the dawn of the Clinton era. We were a new breed of woman whom pundits, including some in our own ranks, struggled to name: postfeminists, womanists, Riot Grrrls, pro-sex feminists, do-me feminists (a name obviously thought up by a men’s magazine), third-wave feminists, lipstick lesbians, bitches with attitudes.”

For someone who grew up in New York and is McDonnell’s virtual contemporary, “Mamarama” is frequently a fun trip down memory lane. She captures the excitement of the East Village and the post-punk music scene in loving detail. But her rebellion, as reported here, grows to be somewhat formulaic. We know what’s coming next, and her story gets bogged down in its chronology as she tells it beat by beat, from beginning to end.

“Mamarama” sometimes reads like an incredibly long Village Voice profile. McDonnell is not without agenda and presents the facts of her life with hefty editorializing. While that often leads to insight, her prose can sometimes be as rhythmic and predictable as a fist pump – one wishes she would unclench that fist and massage the material a little more. Inject some humor and poetry, mix up the chronology, make her life story more of a mix tape than an LP.

After 179 pages of “rama,” we finally get to the “mama,” with the birth of her son, Cole. By this time, McDonnell is living in Miami (where she is currently an award-winning culture critic for the Miami Herald) with her husband and his two teenage daughters. Her son’s birth shifts her out of reminiscence and into the more immediate (and interesting) present-tense concerns of the book – reconciling a liberal, liberated lifestyle with the more conventional and traditional responsibilities and routines of parenthood.

Riot Grrrl Returns, With A Slightly Softer Roar

This article was taken from the New York Times.

POP VIEW;Riot Grrrl Returns, With a Slightly Softer Roar
By EVELYN MCDONNELL
Published: June 2, 1996

AT THE HEART OF FEMINISM lies the belief in self-determination: women should define their own identities. One recent expression of that tenet can be found on “Call the Doctor,” the new album by Sleater-Kinney, a band of three college-age women from the Pacific Northwest. “It’s fine/ When it’s all mine/ It’s on my wall it’s in my head/ Memorize it till I’m dead,” Corin Tucker, a guitarist and vocalist, sings with an air of calm assurance on the song “I Wanna Be Your Joey Ramone.”

That calm is quickly disrupted. “It’s yours/ Now I’m so bored,” Ms. Tucker sings, then breaks into a series of spine-tapping “yeah, yo” ‘s — part hiccup, part howl — that punctuate the chorus: “I wanna be your Joey Ramone/ Pictures of me on your bedroom door/ Invite you back after the show/ I’m the queen of rock-and-roll.”

Judging from the rapt attention paid by teen-age girls at Sleater-Kinney’s recent New York shows, Ms. Tucker and her bandmates are already becoming their generation’s Ramones. Providing more female role models was one of the objectives of the feminist rock movement called Riot Grrrl, according to manifestoes from the fanzines that circulated in punk circles in the early 90′s. When the mainstream press discovered those fanzines about a year later, Riot Grrrl (a term coined by young punks in Washington and Olympia, Wash.) became big news for media outlets from The L.A. Weekly to “Nightline.” Unprepared for the attention, and disturbed that their effort to define themselves was being undermined, Riot Grrrls called for a news media ban.

Wendy O. Williams-Rock’s First Riot Grrrl

This story was taken from here.

Wendy O. Williams-Rock’s First Riot Grrrl
Mar 4, 2004

The Plasmatics championed rock ‘n roll chaos, gore and violence after Kiss and Alice Cooper but before Gwar and Marilyn Manson . However, they added another element to the fray. Their frontwoman, Wendy O. Williams, was a part-time porn actress with an outrageous Mohawk who wore nothing more than shaving cream or electrical tape onstage ,crashed cars, smashed TV sets and whatever stage prop was slated for demolition that evening.

The brainchild of porn producer Rod Swenson, the band consisted of sledgehammer wielding vocalist Wendy O Williams (WOW for short), guitarists Richie Stotts and Wes Beech and bassist Jean Beauvoir. The group initially played chaotic live gigs at notorious New York punk haunts like CBGBs in the late ’70s. It wasn’t long before the Plasmatics recorded their first album “New Hope For The Wretched.” In 1980 Hard to believe the quasi-metal noise of “Butcher Baby” and “Tight Black Pants” was produced by Jimmy Miller, who previously helmed albums by the Stones and Traffic. A more successful effort “Beyond The Valley of 1984″ was released the next year. Featuring “Sex Junkie” and “A Pig Is A Pig”, “1984″ is definitely a very heavy metal album, and the band’s best release. Even the futuristic Mad Max in the desert cover photograph and the accompanying video (Wendy crashing a car through a wall of TV sets) are shock-rock classics.
The band played live shows at small hole in the wall clubs where they could get away with their XXX antics. Although audiences were appreciative (one Plasmatics fans seems thrilled to have an antenna from a smashed TV set rip his hand, according to a message board posting), police in the Midwest weren’t impressed. At a show in Milwaukee, police arrested Wendy on “public indecency” charges and severely beat her and manager Swenson. 1982′s “Coup D’Etat” signaled the Plasmatics last gasp as a media-fueled metal-punk spectacle. Plasmatics material continues to be released and re-released to this day. Proving that the group had a sensitive side, the Plasmatics website released an album of the band’s collected “love” songs in 2002 “Love Songs For The Apocalypse” contained titles such as “Fuck That Booty,” “Jailbait,” and “I Love Sex.” Perfect background music for an evening at Mistress Wendy’s House of Domination. Williams released two solo albums-the Gene Simmons produced “WOW” released in 1984 and 1986′s “Kommander of Kaos.” She also recorded “No Class” and “Stand By Your Man” with Motorhead’s Lemmy. As the 1980s ended, so did Williams’ career as a punk/metal priestess and she appeared in a few films and television shows. She also promoted her interest in macrobiotic and vegetarian food, teaching a class in macrobiotic cooking at NYC’s Learning Annex in the early ’90s.

Mom: Girl, 8, Given Inappropriate Music At Camp

This news story was taken from katu.com.

PORTLAND, Ore. – A mother who sent her 8-year-old daughter to a Portland rock music-themed camp for girls says she is shocked by what she thinks is age-inappropriate material distributed to the young attendees.

The mother, who did not want to be identified, said her daughter returned home with music that contained graphic violent imagery and lyrics that were both sexually charged and racist.

The woman said the items were part of a welcome packet for girls attending the camp and that she checked them out before her daughter could listen to the music.

She said she’s worried that other camp attendees might be exposed to the materials and music if their parents don’t get to it first.

One CD featured packaging that depicted a murder scene with a dead body and a killing in progress.

Also among the items was a tape by the band Bikini Kill that the concerned mom said had sexual content so explicit she was too embarrassed to repeat it. She said the music also had racially offensive content.

She said that if her daughter had heard the music and asked her what some of the words meant, it would have been “very difficult to explain to her.”

While officials with Rock and Roll Camp for Girls declined to be interviewed by KATU News, they did say they were going to look into the issue. On their Web site, the non-profit organization says the camp is designed to “build girls self-esteem through music creation and performance.”

The organization says it is for girls ages 8 to 18 years old.

The girl’s mother said she can’t understand how the materials could have been given to an 8-year-old without some sort of screening by camp operators.

“I trusted these adults to give her appropriate material,” she said.

The next session of the camp begins on Monday.

Ex-L7 Riot Grrrl Donita Sparks Mellows Slightly With Stellar Moments

This article was taken from Orange County Weekly.

Ex-L7 Riot Grrrl Donita Sparks Mellows Slightly With Stellar Moments
By KATE CARRAWAY
Thursday, May 22, 2008 – 3:05 pm

Blonde Ambition
Ex-riot grrrl Donita Sparks once threw used tampons. Now, she blogs for Firedoglake

Singer/songwriter/feminist (and contributor to the liberal political blog Firedoglake) Donita Sparks is best known for co-founding and fronting L7, the Los Angeles band responsible for the crucial evolution of semi-mainstream music in favor of messy, weird and provocative (or “normal,” depending on where you’re standing) women. The group, which formed in 1985, even had a powerful impact on boys, including one male friend of mine who relates that “My 13-year-old awakening to feminism was directly linked to seeing L7 twice [in 1994]. They were extremely formative in my sulky, shit-heel teen tastes.”

This, really, is the L7-gifted inheritance to adults who followed them as kids in the ’90s: They provided solid proof that having purple hair and being mouthy and acting like a jagoff (the oft-repeated story of Sparks throwing a used tampon into an unruly audience makes “Suck my left one” seem almost preppy) was just as available to girls as it was to guys. Which, of course, has a fucking profusion of import for teenagers, male and female alike. L7’s music, a heavier and harder grunge take on riot-grrrl attitude, never really slayed on record, but that wasn’t the point. “Shitlist” and “Pretend We’re Dead” made fans cream whatever was under their cutoffs and thermals. L7 informally disbanded around 2000, and since then, there haven’t been any female bands ensconced in the industry nearly as intimidating or challenging to the collective consciousness. Bleak.

Riot Grrrl Retrospective Exhibition And Online Features

The Riot Grrrl Retrospective Exhibition at empsfm.org

Click on the link above to go to the “Riot Grrrl Retrospective Exhibition”. The website has LOTS of information about riot grrrl.

Riot Grrrl Tag On Last.fm

Riot Grrrl tag on last.fm

Click on the link above to find bands that are tagged “riot grrrl” on Last.fm. There are some free mp3′s you can download from the link as well.

By the way, I do have a last.fm account as grrrlriot. Also, The Riot Grrrl Online website on hot-topic.org has a group on last.fm, located HERE.

Bikini Kill – Rebel Girl – Live 1993

Riot Grrrl Retrospective Interview With Bikini Kill

Riot Grrrl Retrospective Interview With Bratmobile

Riot Grrrl Retrospective Interview With Erin Smith

Riot Grrrl Retrospective Interview With Corin Tucker

Blog Survey

I want feedback about this blog, so please answer the following questions in a reply to this post.

1.) What do YOU want to see on this blog? (as in posts)
2.) Are there any changes I should make to this blog?
3.) What do YOU think about this blog?
4.) Any other suggestions for this blog?
5.) Are there certain topics that I should post about more often? If so, What topics should I post about more often?
6.) Are there any posts/topics that YOU would like to see me write about? (I’m not talking about the news posts that I make on this blog. I’m talking about personal opinions, experiences, thoughts, etc.)

I know I already post about alot of different things, but I’m wanting opinions and suggestions. As a blogger and for you, as a reader, it’s important to know your thoughts about this blog, so I can improve this blog.

Riot Grrrl Online Website: Links Wanted!

As most of you know from my Riot Grrrl Online Website, There aren’t many links on the website under “Links”. That’s where I need YOU!

If you have a website you want me to link to, feminist/riot grrrl related or not, feel free to send me the link to your website, in a reply to this blog or by emailing me. Please let me know what type of link your submitting, example: riot grrrl blog, riot grrrl website, feminist organization, feminist blog, art link, band link, zine link, etc. If your link isn’t feminist/riot grrrl related, I will consider adding it, depending on if it’s a site I visit or think should be linked on RGO. Also, If your an online friend of mine and have your own website/blog, I will definitely add it.

ALL FEMINIST/RIOT GRRRL LINKS WANTED: Also, If you have a collection of feminist/riot grrrl links, please send them over to me. I plan on making the BIGGEST feminist/riotgrrrl links on the internet.

Help me build my links page, by replying to this post or by emailing me. Thanks!

Feminists Unite On Wikipedia Part 2

I’m Grrrlriot on Wikipedia. A couple of months ago, I was very active on editing on Wikipedia. As of the past couple of days, I have went back to being active on Wikipedia. Looking for feminists/riot grrrls or others that edit feminist/riot grrrl articles on Wikipedia? Check out these pages on Wikipedia, that I’ve created: Category:Wikipedians interested in feminism, Portal:Feminism, and Portal:Feminism/Feminism Task Force. The Feminism Task Force did have 8 members a couple of months ago, but since I went back on Wikipedia, It has grown to 12 members! I have been adding and editing the Portal and the Task Force, so please check out those pages. For more information on these pages, just check out the pages.

If your a feminist, supporter of feminism, or interested in feminism, Feel free to add yourself to the Category:Wikipedians interested in feminism on Wikipedia.

Feel free to add to/edit/help out the Portal:Feminism on Wikipedia. Any suggestions and edits to the pages are welcome!

Help us improve the quality of feminism articles on Wikipedia, Join the Feminism Task Force. Anybody with an interest in feminism, feminists/riot grrrls, feminist supporters, or anyone that likes to edit feminism related articles is welcome to join. If you want more information about the task force, please go to the task force page. If you want to join the task force, just sign your Wikipedia name under “Participants”. Thanks!

Riot Grrrl Chapters Directory

The following was taken from my Riot Grrrl Online Website and you can see the listing of riot grrrl chapters here.

I have had a lot of people tell me that they want to meet other riot grrrls (and boys) from their area, but there aren’t any riot grrrls where they live. The reason I started this “Riot Grrrl Directory” is because I knew that the old riot grrrl directory was no longer updated and was looking for someone to update the website. I emailed the girl, but her email address was no longer in use. I decided to start up my own “Riot Grrrl Directory”. Most of the riot grrrl chapters on the old riot grrrl directory website are no longer active or have dead links and dead email addresses.
With all that being said, I decided to make a new riot grrrl directory. If you want to see what’s going on in your area, if you want to start up your own riot grrrl chapter, or if you have your own riot grrrl chapter…This directory is for YOU. If there isn’t any chapter near where you live, Feel free to publish your own information so riot grrrls and riot boys can contact you and start something. This riot grrrl directory is for the WHOLE WORLD. The directory is listed at the bottom of this page.
If you want to submit a riot grrrl chapter (or make your own), grrrlsvomitcandy@NOSPAMhotmail.comEmail me with all the information listed below. If you do NOT fill out all of the information, I will most likely, Email you back and ask for it. If your riot grrrl chapter does not have a website or email address, You could always make one or type “no website” or “no email”, when the form asks for the website or email link OR You could post your own email address and your own website link.

Chapter Name:
Your Name:
Age:
Location:
Email:
Website:
Language(s) Spoken:
Information About The Chapter: